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blurring ?!?........... bbbbANG!

Dynamism of a dog on a leash
Giacomo Balla 1911

Nude Descending a Staircase
MARCEL DUCHAMP 1912-16

movement.
Citing the book "Architecture and Modernity" by Professor Antonino Saggio: <...Eisenmann aggiunge una tecnica di grande fascino perché dà una una risposta finalmente innovativa a un vecchio problema della nuova architettura: il movimento. [...]Eisenmann, attraverso il suo incessante cercare, scopre una tecnica che mai ha avuto prima di lui uso in architettura. Si tratta del blurring, "blurring."
[...] The movement becomes the inspiration "conceptual" and at the same time, the "technical" with which to organize a new way of designing. The origin
and 'in the Italian Futurist Giacomo Balla ( Dynamism of a dog on a leash, 1911) but the image universally known,' the Nude Descending a Staircase by Marcel Duchamp.
A SERIES OF OVERLAPPING SHAPE AS IN A FRAME Shooting with too much time in which individual movements are superimposed. >

That 's what Eisenman translates into architecture for the first time in the Guardiola House in Santa Maria del Mar in 1988, where he managed to record the motion of the waves and the traces of these on the sand through the undulating movement of Building L, "whose gometrie derived therefrom, vibrate, swing, rotate sull'alra a plan, section, elevation."

In this regard, I naturally connected to a statement given by Felix Klein in his book "The shape memory as" Michael Leyton and I 'happened to read recently:

PROGRAM FELIX KLEIN regards the absence of MEMORY
past actions can not be inferred from features that remain unchanged from those actions, ie, ' invariants.
Then the invariants can not act as memory devices.

Here is what I think Eisenman: use of variants, motion, movement, rotation and tell a story, like the traces on the sand of the sea .